Nov 17 2011
IKONS, A FREE WASHINGTON SQUARE MUSIC FESTIVAL CONCERT, BEETHOVEN, BELLINI, TAVENER AND SHOSTAKOVICH
December 2, St. Joseph’s Church
On Friday, December 2, 8 pm in St. Joseph’s Roman Catholic Church, 371 Sixth Avenue at Washington Place, the Washington Square Music Festival offers iconic and eclectic music, both played and sung, by Festival artists soprano Lucia Hyunju Song, pianist David Oei, violinist Eriko Sato, and cellist Lutz Rath.
This concert is free and open to the public. Seating is first-come, first-served.
December 2, 8 pm Program
St. Joseph’s Roman Catholic Church
371 Sixth Avenue – West 4th St on A, B C, D, E, F, M
Christopher St. on 1 train
IKONS
“Qui la voce” from I Puritani Vincenzo Bellini
soprano Lucia Hyunju Song
Piano trio in C minor op.1, no.3 Ludwig van Beethoven
Akhmatova for soprano and cello John Tavener
Russian texts: Anna Akhmatova
Romance-Suite for soprano and piano trio op. 127 Dmitri Shostakovich
Russian texts: Alexander Blok
Festival info line: 212-252-3621 www.washingtonsquaremusicfestival.org
Under the auspices of the Washington Square Association
Music Notes:
Pianist and scholar Charles Rosen writes: “Beethoven in C minor has come to symbolize his artistic character. In every case, it reveals Beethoven as Hero. C minor does not show Beethoven at his most subtle, but it does give him to us in his most extrovert form, where he seems to be most impatient of any compromise”. Beethoven’s Fifth Symphony is also in the key of C minor.
Sir John Tavener, b.1944, made many explorations of Russian and Greek culture, as shown in Akhmatova. Anna Andreyevna Gorenko (Russian: А́нна Андре́евна Горе́нко), better known as Anna Akhmatova (Russian: А́нна Ахма́това), was a Russian and Soviet modernist poet, one of the most acclaimed writers in the Russian canon. As were many artists, she was badly treated by the Stalinist regime. She was descended from Russian nobility.
Romance-Suite with poems by symbolist Alexander Blok (Russian: Алекса́ндр Алекса́ндрович Блок,) were the first pieces Dmitri Shostakovich wrote after his heart attack in 1966. According to a friend, Shostakovich claimed to have had the idea for the songs while still in the hospital but had a great deal of difficulty in actually composing them and feared that his heart attack had paralyzed him creatively. The composer said that the actual impetus to finish the works came out of a bottle of brandy:
“Three days ago, Irina Antonova (his wife) left the house. I was alone. I opened a cupboard, and, lo and behold, there on the bottom shelf was a half a bottle of brandy. She had hidden all the drink in the house but by chance I discovered this bottle. And, you know, I had this sudden urge to drink, which I couldn’t resist, so I had a glass. And, you know, it was so good that I sat down and everything came to me at once, and I finished the work in three days.”
Akhmatova and Romance-Suite will be sung in Russian by Lucia Hyunju Song.
Major funding is provided by: Earle K. & Katherine F. Moore Foundation, NYC Department of Cultural Affairs, NYS Council on the Arts, a State agency, NYC Council Member Margaret Chin, Senator Thomas K. Duane, Assemblymember Deborah J. Glick, The Horace W. Goldsmith Foundation, NYS Office of Parks, Recreation and Historic Preservation, Washington Square Association., Margaret Neubart Foundation Trust, New York University Community Fund, New York University Government & Community Affairs, Con Edison, Down the Hatch, Emigrant Savings Bank, Jane Street Block Assn., Le Poisson Rouge, Salamon-Abrams Family Fund, Washington Square Hotel and the generosity of local businesses and individuals.
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